Phone Bhoot Box Office Collection Day 12: Katrina Kaif's Horror Comedy Flattens at the BO!

After failing to impress the audiences with the star performance, Phone Bhoot featuring Katrina Kaif, Ishaan Khatter & Siddhant Chaturvedi has failed to do much at the box office. Phone Bhoot box office collection day 12 report is given here.

By Harkirpal Singh, Updated : Nov 15, 2022 13:10 IST
Phone Bhoot Box Office Collection Day 12: Katrina Kaif's Horror Comedy Flattens at the BO!
Phone Bhoot

Phone Bhoot's first-weekend box office haul of around ₹13 crores* was below average. Of sure, it should have performed better, but 90% of this year's releases have fallen short of their potential or qualities when they were released.

This parody horror comedy would have made at least ₹40–50 crores during its lifetime before the pandemic, but now it will be at most in the ₹21–22 crore range. Phone Bhoot as such experienced little increase throughout the weekend or on midweek partial holidays, and the remaining days were lower throughout the first week.

Phone Bhoot is expected to have a lackluster 2nd week as well considering its dying popularity & growing bad word-of-mouth. Phone Bhoot box office collection day 12 numbers are given here. 

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Phone Bhoot Box Office Collection Day 12

Day Date India Net Collection
Day 1 [1st Friday] Nov 04 ₹2.05 Cr
Day 2 [1st Saturday] Nov 05 ₹2.75 Cr
Day 3 [1st Sunday] Nov 06 ₹3.05 Cr
Day 4 [1st Monday] Nov 07 ₹1.34 Cr
Day 5 [1st Tuesday] Nov 08 ₹1.52 Cr
Day 6 [1st Wednesday] Nov 09 ₹1.1 Cr
Day 7 [1st Thursday] Nov 10 ₹1 Cr
Day 8 [2nd Friday] Nov 11 ₹0.9 Cr
Day 9 [2nd Saturday] Nov 12 ₹1.5 Cr
Day 10 [2nd Sunday] Nov 13 ₹1.3
Day 11 [2nd Monday] Nov 14 ₹0.40 Cr (approx)
Day 12 {2nd Tuesday] Nov 15 ₹0.28 Cr (approx)
Total   ₹17.19 Cr (approx)

In the second week, Phone Bhoot may have had a chance to earn some money, but a half-dozen new Hollywood and Bollywood blockbusters will significantly diminish its chances. Phone Bhoot will undoubtedly gain popularity following its OTT release and become known for being undervalued. However, given the comedy subgenre, it is undoubtedly best appreciated by the masses, which regrettably wasn't the case here.

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